New Method for the Traverso

Doretthe Janssens • Boek • loose-leaf

• Samenvatting
   
  
  Nowadays, anyone who wants to learn to play the traverso has little to go on. If you’re lucky, you may bump into a good teacher; if not, you have to figure everything out on your own, because until now a method for the baroque flute with lots of playing materials was not available. 
  
  This method will fill that empty space. Starting point is that those who use this book are not musically illiterate. There is plenty of material on offer to start with; the further you proceed the more fun and challenging it becomes to search for music for yourself.
  
  The main thread consists of texts by Johann Mattheson on the affects of the various keys.In addition extensive attention is given to the ins and outs of the baroque articulation, which is substantially different to what we as players in the 21st century are accustomed to.
  
  This
• Productinformatie
  Binding : Loose-leaf
  Distributievorm : Boek (print, druk)
  Formaat : 210mm x 297mm
  Aantal pagina's : 204
  Uitgeverij : De Fluithoek
  ISBN : 9789082008128
  Datum publicatie : 05-2012
  
• Inhoudsopgave
  Preface........................................................................................................................................... 3
  
  Embouchure and posture.................................................................................................................. 4
  
  Affektenlehre and Mattheson........................................................................................................... 11
  
  Mattheson and G major................................................................................................................... 11
  
  Ornaments (1): the trill.................................................................................................................... 15
  
  Mattheson and D major................................................................................................................... 21
  
  Articulation (1).............................................................................................................................. 24
  
  Ornaments (2): the port de voix........................................................................................................ 29
  
  Articulation (2):  the three-eight time................................................................................................. 35
  
  Mattheson and C major................................................................................................................... 37
  
  Mattheson and F major................................................................................................................... 42
  
  Mattheson and a minor................................................................................................................... 50
  
  Scales: major thirds and minor thirds................................................................................................. 50
  
  Mattheson and A major................................................................................................................... 60
  
  Mattheson and e minor................................................................................................................... 62
  
  Mattheson and d minor................................................................................................................... 68
  
  Ornaments (3): the closing turn......................................................................................................... 80
  
  Articulation (3): semiquavers (sixteenth notes).................................................................................... 95
  
  Ornaments (4): the appoggiatura..................................................................................................... 107
  
  Articulation (4):  triplets................................................................................................................ 111
  
  Mattheson and b minor................................................................................................................. 120
  
  Articulation (5): staccato............................................................................................................... 125
  
  Quantz: e flat and d sharp............................................................................................................... 131
  
  Mattheson and g minor.................................................................................................................. 132
  
  Mattheson and B flat major............................................................................................................ 133
  
  Ornaments (5): the coulement......................................................................................................... 139
  
  The French treble clef................................................................................................................... 143
  
  Ornaments (6): port de voix and coulement...................................................................................... 145
  
  Ornaments (7): the accent.............................................................................................................. 145
  
  Ornament (8): the battement........................................................................................................... 145
  
  Mattheson and E major................................................................................................................. 147
  
  Mattheson and c minor.................................................................................................................. 159
  
  Mattheson and E flat major............................................................................................................ 164
  
  Ornament (9): the flattement.......................................................................................................... 166
  
  Mattheson, A flat major and f minor................................................................................................ 174
  
  Mattheson and f sharp minor.......................................................................................................... 180
  
  Mattheson and B major.................................................................................................................. 191
  
  Fingering table............................................................................................................................. 198
  
  Trill table.................................................................................................................................... 200
  
  Musical Terms............................................................................................................................. 203
  
  Musical Forms............................................................................................................................. 203
  
   
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