Art History after Deleuze and Guattari

Sjoerd Van Tuinen • ebook • pdf

• Samenvatting
  Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a ‘Deleuzo-Guattarian art history’ could be today.
  
  At the crossroads of philosophy, artistic practice, and art history Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a 'Deleuzo-Guattarian art history' could be today.
• Productinformatie
  Binding : PDF
  Auteur : Sjoerd Van Tuinen
  Bestandstype : PDF
  Distributievorm : Ebook (digitaal)
  Aantal pagina's : Afhankelijk van e-reader
  Beveiliging : Digitaal watermerk (social DRM)   Informatie 
  Uitgeverij : Leuven University Press
  ISBN : 9789461662422
  Datum publicatie : 03-2018
  
• Inhoudsopgave
  Introduction: Art History After Deleuze and Guattari Sjoerd van Tuinen and Stephen Zepke Remake/Remodel: Strategies of Reading Art Historians Vlad Ionescu Egon Schiele: Vitalist Deleuzian Elisabeth von Samsonow The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images James Elkins Rhythm and Chaos in Painting: Deleuze’s Formal Analysis, Art History, and Aesthetics after Henri Maldiney Claudia Blümle Deleuze and Didi-Huberman on Art History Gustavo Chirolla and Juan Fernando Mejía Mosquera Colliding Chaoïds in Iconology Sascha Freyberg The Image and the Problem of Expression: Towards an Aesthetic Cosmology Bertrand Prévost The Late and the New: Mannerism and Style in Art History and Philosophy Sjoerd van Tuinen Tintoretto’s Michelangelo: An Artistic Diagram as the a priori of Art History Kamini Vellodi Painting Machines, “Metallic Suicide” and Raw Objects: Deleuze and Guattari’s Anti-Oedipus in the context of French Post-War Art Ann-Cathrin Drews The Buren Times Éric Alliez with the collaboration of Jean-Claude Bonne ‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary Art Stephen Zepke Art’s Utopia: The Geography of Art against (its) History Antoine L’Heureux About the authors
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