Advances in digital scholarly editing

Dirk van Hulle • Boek • hardback

• Samenvatting
  
  
  As the papers in this volume testify, digital scholarly editing is a vibrant practice. Scholarly editing has a long-standing tradition in the humanities. It is of crucial importance within disciplines such as literary studies, philology, history, philosophy, library and information science, and bibliography. In fact, digital scholarly editing represents one of the longest traditions in the field of Digital Humanities - and the theories, concepts, and practices that were designed for editing in a digital environment have in turn deeply influenced the development of Digital Humanities as a discipline. By bringing together the extended abstracts from three conferences organised within the DiXiT project (2013-2017), this volume shows how digital scholarly editing is still developing and constantly redefining itself.
  
  DiXiT (Digital Scholarly Editing Initial Training) is one of the most innovative training networks for a new generation of scholars in the field of digital scholarly editing, established by ten European leading institutions from academia, in close collaboration with the private sector and cultural heritage institutions, and funded under the EU's Marie Skłodowska-Curie Actions. The partners together represent a wide variety of technologies and approaches to European digital scholarly editing.
  
  The extended abstracts of the convention contributions assembled in this volume showcase the multiplicity of subjects dealt with in and around the topics of digital editing: from issues of sustainability to changes in publications cultures, from the integrity of research and intellectual rights to mixed methods applied to digital editing-to name only a few.
  
  
  
  Contents:
  
  Andreas Speer, Welcome
  Arianna Ciula, Gregory Crane, Hans Walter Gabler, Espen Ore, Preface
  Peter Boot, Franz Fischer, Dirk van Hulle, Introduction
  
  List of beneficiaries
  List of DiXiT fellows
  Acknowledgements
  
  Part 1: Theory, Practice, Methods
  
  Francisco Javier Álvarez Carbajal, Towards a TEI model for the encoding of diplomatic charters: The charters of the County of Luna at the end of the Middle Ages
  
  Mateusz Antoniuk, The Uncommon Literary Draft and its Editorial Representation
  
  Gioele Barabucci, Franz Fischer, The formalization of textual criticism: bridging the gap between automated collation and edited critical texts
  
  Gioele Barabucci, Elena Spadini, Magdalena Turska, Data vs Presentation. What is the core of a Scholarly Digital Edition?
  
  Elli Bleeker, Modelling process and the process of modelling: the genesis of a modern literary Text
  
  Christine Blondel, Marco Segala, Towards open, multi-source, and multi-authors digital scholarly editions. The Ampère platform.
  
  Ben Brumfield, Accidental editors
  
  Fabio Ciotti, Toward a new realism for digital textuality
  
  Arianna Ciula, Modelling Textuality: A Material Culture Framework
  
  Claire Clivaz, Multimodal Literacies and Continuous Data Publishing: une question de rythme
  
  Isabel de la Cruz-Cabanillas, Editing the Medical Recipes in the Glasgow University Library Ferguson Collection
  
  Richard Cunningham, Theorizing a Digital Scholarly Edition of Paradise Lost
  
  Tom De Keyser, Vincent Neyt, Mark Nixon, Dirk van Hulle, The Digital Libraries of James Joyce and Samuel Beckett
  
  Paul Eggert, The archival impulse and the editorial impulse
  
  Ulrike Henny, Pedro Sepúlveda, Pessoa's editorial projects and publications: the digital edition as a multiple form of textual criticism
  
  Maurizio Lana et al, "...but what should I put in a digital apparatus?" A not-so-obvious choice. New types of digital scholarly editions
  
  Caroline Macé, Critical editions and the digital medium
  
  Chaim Milikowsky, Scholarly Editions of Three Rabbinic Texts One Critical and Two Digital
  
  Sara Norja, From manuscript to digital edition: The challenges of editing early English alchemical texts
  
  Chiara Palladino, Towards a digital edition of the Minor Greek Geographers
  
  Elsa Pereira, Challenges of a digital approach: considerations for an edition of Pedro Homem de Mello's poetry
  
  Thorsten Ries, Hands-on Workshop: The Born Digital Record of the Writing Process. Discussing Concepts of Representation for the DSE
  
  Mehdy Sedaghat Payam, Digital Editions and Materiality, a Media-specific Analysis of the First and the Last Edition of Michael Joyce's Afternoon
  
  Peter Shillingsburg, Enduring Distinctions in Textual Studies
  
  Alex Speed Kjeldsen, Reproducible Editions
  
  Andreas Speer, Blind Spots of Digital Editions: The Case of Huge Text Corpora in Philosophy, Theology and the History of Sciences
  
  Linda Spinazzè, Richard Hadden, Misha Broughton, Data Driven Editing: Materials, Product, and Analysis
  
  Katrhyn Sutherland, Making Copies
  
  Georgy Vekshin, Ekaterina Khomyakova, The Videotext Project: Solutions for the New Age of Digital Genetic Reading
  
  Klaus Wachtel, A Stemmatological Approach in Editing the Greek New Testament: The Coherence-Based Genealogical Method
  
  Part 2: Technology, Standards, Software
  
  Tara Andrews, What We Talk About When We Talk About Collation
  
  Dániel Balogh, The Growing Pains of an Indic Epigraphic Corpus
  
  Elli Bleeker, Bram Buitendijk, Ronald Haentjens Dekker, Vincent Neyt and Dirk van Hulle, The Challenges of Automated Collation of Manuscripts
  
  Federico Boschetti, Riccardo Del Gratta, Angelo Del Grosso, The role of digital scholarly editors in the design of components for cooperative philology
  
  Stefan Budenbender, Inventorying, transcribing, collating: basic components of a virtual platform for scholarly editing, developed for the Historical-Critical Schnitzler Edition
  
  Mathias Coeckelbergs, Seth van Hooland and Pierre Van Hecke, Combining Topic Modeling and Fuzzy Matching Techniques to Build Bridges between Primary and Secondary Source Materials. A Test Case from the King James Version Bible
  
  Angelo Mario Del Grosso, Emiliano Giovannetti, Simone Marchi, The Importance of Being... Object-Oriented: Old Means for New Perspectives in Digital Textual Scholarship
  
  Chiara Di Pietro, Roberto Rosselli Del Turco, Edition Visualization Technology 2.0: affordable DSE publishing, support for critical editions, and more
  
  Vera Faßhauer, Multi-Level Annotation, Analysis and Edition of a Historical Text Corpus: Private Ducal Correspondences in Early Modern Germany
  
  Jiří Flaišman, Michal Kosák and Jakub Říha, Hybrid Scholarly Edition and the Visualization of Textual Variants
  
  Costanza Giannaccini, Burckhardtsource.org: where Scholarly Edition and Semantic Digital Library meet
  
  Elena González-Blanco et al, Evi-Linhd, A Virtual Research Environment For Digital Scholarly Editing
  
  Charles Li, Critical diplomatic editing. Applying text-critical principles as algorithms
  
  Frederike Neuber, St-G and DIN 16518, or: requirements on type classification in the Stefan George edition
  
  Elisa Nury, Visualizing Collation Results
  
  Dirk Roorda, The Hebrew Bible as Data: Text and Annotations
  
  Felicia Roșu, Full Dublin-Core Jacket: The Constraints and Rewards of Managing a Growing Collection of Sources on Omeka.net
  
  Daniela Schulz, Of general and homemade encoding problems
  
  Elena Spadini, The role of the base manuscript in the collation of medieval texts
  
  Tuomo Toljamo, A Tailored Approach to Digitally Access and Prepare the 1740 Dutch Resolutions of the States General
  
  Tuomo Toljamo, Editorial Tools and their Development as a Mode of Mediated Interaction
  
  Magdalena Turska, TEI Simple Processing Model
  
  Part 3: Academia, Cultural Heritage, Society
  
  Hilde Boe, Edvard Munch's Writings. Experiences From Digitising The Museum
  
  Misha Broughton, Crowdfunding the Digital Scholarly Edition: Webcomics, Tip Jars, and a Bowl of Potato Salad
  
  Jan Burgers, Editing medieval charters in the digital age
  
  Federico Caria, What the people do with, around (and at the centre) of the digital editions
  
  Wout Dillen, Editing Copyrighted Materials: On Sharing What You Can
  
  Wout Dillen, What You C(apture) Is What You Get. Authenticity and Quality Control in Digitization Practices
  
  Till Grallert, The journal al-Muqtabas between Shamela.ws, HathiTrust, and GitHub: producing open, collaborative, and fully-referencable digital editions of early Arabic periodicals-with almost no funds
  
  Leo Jansen, Digital editions of artists' writings: first Van Gogh, then Mondrian
  
  Aodhán Kelly, Digital editing: valorisation and diverse audiences
  
  Aodhán Kelly, Social responsibilities in digital editing - DiXiT Panel: 'Editing and Society: Cultural considerations for construction, dissemination and preservation of editions'
  
  Merisa Martinez, Documenting the digital edition on film
  
  Katerina Michalopoulou, Antonis Touloumis, Digital Rockaby
  
  Daniel Powell, Towards a definition of "the social" in knowledge work
  
  Anna-Maria Sichani, Beyond Open Access: (re)use, impact and the ethos of openness in digital editing
  
  Anna-Maria Sichani, The business logic of digital scholarly editing and the economics of scholarly publishing
  
  Ray Siemens et al, The Social Edition in the Context of Open Social Scholarship: The Case of the Devonshire Manuscript (BL Add Ms 17,492)
  
  Bartłomiej Szleszyński, Nowa Panorama Literatury Polskiej (New Panorama of Polish Literature) - how to present knowledge on the Internet (Polish specifics of the issue)
• Productinformatie
  Binding : Hardback
  Distributievorm : Boek (print, druk)
  Formaat : 188mm x 264mm
  Aantal pagina's : 350
  Uitgeverij : Sidestone Press
  ISBN : 9789088904844
  Datum publicatie : 10-2017
  
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