Chords in the Key of...

companion work to Music Theory: The Language of Sound

KarrArikh Tor • Boek • loose-leaf

• Samenvatting
  This book displays all the naturally occurring chords in each Major Key, along with the relative modes and modified minor Keys associated with it. Each Key has 2 pages. Left side contains Key name, Key Signature, notes in the Key, triad chords, seventh chords, suspended chords, and all relative modes. Right side contains all “added” note chords and extended chords in the Key.
  
  Each column contains all chords built from the scale degree shown above the chords in a coloured circle. Each row contains chords of a similar layout. The type of chord is stated in text above the rows. A cell contains only one chord. Dark blue numbers in the grey top bar are the scale degrees used in the chord, with triad numbers above the added numbers. Dark red letters below the symbol are the notes in the chord, shown in same manner.
  
  Graphics in this reference book use colours to separate the Scale Degrees. Red denotes the 1st scale degree, the tonic of the Major Key scale. This is the note that the Key is named after. Pink denotes the 2nd scale degree. Purple denotes the 3rd scale degree. Blue denotes the 4th scale degree. Green denotes the 5th scale degree. Yellow/Lime denotes the 6th scale degree. Orange denotes the 7th scale degree.
  
  Looking at the chords built from the Major Key scale, there are 3 Major triad chords (built from the 1st, 4th, and 5th scale degrees), 3 minor triad chords (built from the 2nd, 3rd, and 6th scale degrees), and 1 diminished chord (built from the 7th scale degree) naturally occurring in a Major Key. In Western Traditional music theory, chords built from the scale degrees of the Major Key are noted using Roman numerals. Using Capital Roman numerals represents the Major chords, as with the I, IV and V chords. Using the lower case Roman numeral represents the minor chords, as with the ii, iii, and vi chords. Using a lower case Roman numeral with an added diminished symbol represents the seventh scale degree chord, viio.
• Productinformatie
  Binding : Loose-leaf
  Distributievorm : Boek (print, druk)
  Formaat : 200mm x 280mm
  Aantal pagina's : 44
  Uitgeverij : Dark World International
  ISBN : 9789083320250
  Datum publicatie : 05-2025
  
• Inhoudsopgave
  Table of Contents
  
  Major Key Index page 1
  15 Major Keys in Western Traditional Music
  
  Chords in the Key of… pages 2-31
  Tables displaying all the naturally occurring chords in each Key, along with all the relative modes and modified minor Keys associated with the Major Key, including the Key Signature used.
  
  Transposing songs from one Key to another pages 32-33
  Excerpt from The Language of Sound - music theory for guitar and bass guitar; Chapter Eight – explains transposing songs using scale degrees.
  
  “What Key am I in?”
  Alphabetical chord listings for all the naturally occurring chords in each Major Key, including the scale degree in each Key it appears (shown in Roman numerals).
  
  Chord Index 1 pages 34-37
  Major chords, minor chords, diminished chords,
  Seventh chords, and Suspended chords
  
  Chord Index 2 pages 38-39
  Extended chords occurring in a Major Key;
  9th chords, 11th chords, and 13th chords
  
  
  Graphics in this reference book use colours to separate the Scale Degrees. Red denotes the 1st scale degree, the tonic of the Major Key scale. This is the note that the Key is named after. Pink denotes the 2nd scale degree. Purple denotes the 3rd scale degree. Blue denotes the 4th scale degree. Green denotes the 5th scale degree. Yellow/Lime denotes the 6th scale degree. Orange denotes the 7th scale degree.
  Looking at the chords built from the Major Key scale, there are 3 Major triad chords (built from the 1st, 4th, and 5th scale degrees), 3 minor triad chords (built from the 2nd, 3rd, and 6th scale degrees), and 1 diminished chord (built from the 7th scale degree) naturally occurring in a Major Key. In Western Traditional music theory, chords built from the scale degrees of the Major Key are noted using Roman numerals. Using Capital Roman numerals represents the Major chords, as with the I, IV and V chords. Using the lower case Roman numeral represents the minor chords, as with the ii, iii, and vi chords. Using a lower case Roman numeral with an added diminished symbol represents the seventh scale degree chord, viio.
  
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