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  • Cover Nieuwe Methode voor de Traverso
    Nieuwe Methode voor de Traverso (boek)
  • Cover Neue Methode fur die Traversflote
    Neue Methode fur die Traversflote (boek)

New Method for the Traverso

Doretthe Janssens • Boek • loose-leaf

  • Samenvatting
     

    Nowadays, anyone who wants to learn to play the traverso has little to go on. If you’re lucky, you may bump into a good teacher; if not, you have to figure everything out on your own, because until now a method for the baroque flute with lots of playing materials was not available. 

    This method will fill that empty space. Starting point is that those who use this book are not musically illiterate. There is plenty of material on offer to start with; the further you proceed the more fun and challenging it becomes to search for music for yourself.

    The main thread consists of texts by Johann Mattheson on the affects of the various keys.In addition extensive attention is given to the ins and outs of the baroque articulation, which is substantially different to what we as players in the 21st century are accustomed to.

    This
  • Productinformatie
    Binding : Loose-leaf
    Distributievorm : Boek (print, druk)
    Formaat : 210mm x 297mm
    Aantal pagina's : 204
    Uitgeverij : De Fluithoek
    ISBN : 9789082008128
    Datum publicatie : 05-2012
  • Inhoudsopgave
    Preface........................................................................................................................................... 3

    Embouchure and posture.................................................................................................................. 4

    Affektenlehre and Mattheson........................................................................................................... 11

    Mattheson and G major................................................................................................................... 11

    Ornaments (1): the trill.................................................................................................................... 15

    Mattheson and D major................................................................................................................... 21

    Articulation (1).............................................................................................................................. 24

    Ornaments (2): the port de voix........................................................................................................ 29

    Articulation (2):  the three-eight time................................................................................................. 35

    Mattheson and C major................................................................................................................... 37

    Mattheson and F major................................................................................................................... 42

    Mattheson and a minor................................................................................................................... 50

    Scales: major thirds and minor thirds................................................................................................. 50

    Mattheson and A major................................................................................................................... 60

    Mattheson and e minor................................................................................................................... 62

    Mattheson and d minor................................................................................................................... 68

    Ornaments (3): the closing turn......................................................................................................... 80

    Articulation (3): semiquavers (sixteenth notes).................................................................................... 95

    Ornaments (4): the appoggiatura..................................................................................................... 107

    Articulation (4):  triplets................................................................................................................ 111

    Mattheson and b minor................................................................................................................. 120

    Articulation (5): staccato............................................................................................................... 125

    Quantz: e flat and d sharp............................................................................................................... 131

    Mattheson and g minor.................................................................................................................. 132

    Mattheson and B flat major............................................................................................................ 133

    Ornaments (5): the coulement......................................................................................................... 139

    The French treble clef................................................................................................................... 143

    Ornaments (6): port de voix and coulement...................................................................................... 145

    Ornaments (7): the accent.............................................................................................................. 145

    Ornament (8): the battement........................................................................................................... 145

    Mattheson and E major................................................................................................................. 147

    Mattheson and c minor.................................................................................................................. 159

    Mattheson and E flat major............................................................................................................ 164

    Ornament (9): the flattement.......................................................................................................... 166

    Mattheson, A flat major and f minor................................................................................................ 174

    Mattheson and f sharp minor.......................................................................................................... 180

    Mattheson and B major.................................................................................................................. 191

    Fingering table............................................................................................................................. 198

    Trill table.................................................................................................................................... 200

    Musical Terms............................................................................................................................. 203

    Musical Forms............................................................................................................................. 203

     
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